Stability is provided by the feet extending forward either side of the ashpan cover. Both the uprights and ashpan cover have simple geometric detailing while the coal retaining bars are a series of wavy uprights between two pairs of ball spaced hrizontals.

A turn of the 20th century style with classical uprights combined with the Art Nouveau inspired wavy upright coal retainers. The slightly bulged profile suits a Joyce type grate

The simple geometric design and details make these bars the most common replacement for Originals from cast iron inserts with tile panels.

With simple patterning and stable trapezoidal profile these are the most used of the standard bars. The profile suits a WW grate

Simple uprights topped with a finniel, three horizontal coal retaining bars curved at the ends and a geometric pattern to the base.

Early Victorian bars with three horizontals and uprights capped with finials. The slight curves at either side mean that these bars are best suited to use with a flatfronted grate with upstand such as the 16 inchAL

Simple uprights topped with a finniel, three horizontal coal retaining bars curved at the ends and a geometric pattern to the base.

A slightly larger version of PDB05F early Victorian bars with three horizontals and uprights capped with finials.

The slight curves at either side mean that these bars are best suited to use with a flatfronted grate with upstands such as the 16 inchAL

Three horizontal retaining bars angled at the ends, squat finniels at the top of the uprights and a band of floral decoration to the base.

Three horizontal retaining bars with a slight curve at the ends, uprights topped by grecian urn shaped finniels, geometric engraving on the ashpan cover.

Curved from end to end the central of the three bars is decorated with three knobbly bits.

Commonly known as "Daisy" bars as the profile of the bars matches that of the 14 inch Daisy grate.

The coal retainers are vertical and the small ashpan cover has some Art Nouveau decoration.

Three horizontal retainers angled at either end to join broad uprights. The lower part has a horseshoe and dot motif.

These slot in bars are fully curved from end to end finishing in conical headed uprights. The separate ashpan cover is ribbed horizontally and has two air inlet slots.

These bars have alternate wavy and straight vertical retaining bars with a short curve at the ends.

The ashpan cover has the Art Nouveau "squashed tulip bulb" motif found on the surround of the Northmoor and Tulip cast iron inserts.

A set of hook on fireplace bars with simple vertical retainers and a plain ashpan cover with a shallow angled profile.

These bearded bars (they have the decoration extendng underneath the bars) are gently curved with simple geometric patterning on the inchbeard inch

These are the bars for the "Prince" cast iron insert.

The horizontal retainers extend at an angle from either end to the section of vertical retainers which runs parallel to the wall. The lowest bar is horizontally banded and the ashpan cover has three slots either side of the knob.

These fireplace bars have three horizontally banded retainers and a geometric pattern to the bottom bar. The ashpan cover has Art Nouveau styling.

Three curved bars ending in conical topped uprights.

These are the bars from the Merrion, Windsor and Fitzwilliam horseshoe arch type cast iron inserts. Four horizontal bars the top of which is decorated with three finniels. (In days of old these would have been drilled and tapped to fit a swinging trivet). The ashpan cover has elegant "bracket" decoration.

These bars are for the Bolton and Lytton arch inserts.

Three horizontal bars that get increasingly ornate from the top (plain) down to the leafy decoration of the bottom bar.